Sadly, this effect only showed up in a handful of products, before being swept out of popularity by the rise of digital reverbs.īack in the hardware-only days, analog BBD reverbs were considered inferior to then-cutting edge digital reverbs. Unlike standard, single-output BBD delays, analog reverbs used a special multi-tap BBD chip to create multiple simultaneous delay times. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end - or you can leave some of them in, for raspier bass sounds.Bucketverb imagines an alternate history in which a rare bucket brigade delay (BBD) chip evolved into a sophisticated hardware unit perfect for ambience, lo-fi detuned decay, vocal presence, and more. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. There's nothing else on the market like it. from between kick drum hits in a drum loop). Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. ![]() While taking the classic "Boom Box" sound as its core, the Lowender expands on the concept in several waysįirst, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material. ![]() Now, finally, you can get those low lows from within your favorite DAW application! From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer's best-kept secret for years.
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